| చిత్రం: | భీష్మ (1962) | |
| రచన: | ఆరుద్ర | |
| సంగీతం: | ఎస్.రాజేశ్వర రావు | |
| గానం: | ఘంటసాల | |
| పద్యం: | దేవ దేవా జీవాత్మకా దేవ వంద్యా | |
| శంఖ చక్ర గదా పద్మ చారుహస్తా | ||
| వాసుదేవా త్రివిక్రమా వరదా పరమపురుషా | ||
| ప్రణుతి యొనర్చెద కరుణ గనుమా ఆ..ఆ..ఆ… |
20, ఫిబ్రవరి 2013, బుధవారం
దేవ దేవా జీవాత్మకా - భీష్మ చిత్రం నుండి పద్యం
దీనికి సబ్‌స్క్రయిబ్ చేయి:
కామెంట్‌లను పోస్ట్ చేయి (Atom)
Those were the times when whispers amongst people went around as to how come Telugu film hero NTR, with all his style & gimmicks in the social,” Janapada” & mythological films heading towards the top position, preferred to play a role of this kind-with neither a heroine beside nor the glamour the Telugu audience crave for…just with a ripen beard & the form of an aged bachelor. But NTR moulded such negative winds against him in his favour & emerged with thumping success with his action as “Gaangeya” in the film “Bhishma” He titled completely the general impression that NTR was certainly suitable only for the glamorous mythological roles of –say like those of the Lord Rama, Krishna or Venkateshwara or Siva for that matter. The film was a mile stone in his film career…a feather in his cap.
రిప్లయితొలగించండిIt is said that B.A. Subba Rao, the producer of the film had felt much enamored with the majesty & the style of walk of NTR during the days the former was making all trials for entry into the field, at the first sight itself. And with this thought in mind he produced the film “Palletoori Pilla” with the combination of NTR,ANR & Anjali. Thus, effectively, it was B.A.Subba Rao who made NTR as the “hero of the story “for the first time. But, the credit was grabbed by Vijaya Productions whose “Shaavukaaru” film was released 20 days before “Palletoori Pilla”
NTR’s affinity with BAS Productions is very deep routed. He had lot of regard…above that lot of gratitude towards B.A.Subba Rao.And in case of the role of “Bhishma too,he kept up the faith reposed in him by the producer. He came forward to shoulder the burden of taking up the role of Bhishma , the “grand father of Kuru dynasty” despite great people like Chakrapani did not favour such idea.The first time “Bhishma” film was released in 194 with Jandhyala Gowrinatha Sastry as its hero under the direction of Chithrapu Narayana Murthy. B.A.Subba Rao’s penchant to see the range & vividness in the role of that Bhishma by NTR ,after 18 years, got the same theme reflected on the silver screen again.
For BAS’s “Bhishma” film,the life nerve is its narration of the story. The style of narrating the importance/prominence of the role “Bhishma “,at every stage of the film by pruning the story only to the extent necessary ,despite its being big with several roles & sib-stories-all appearing ,prima facie ,equally important,is clearly visible in the cinema. Thapi Dharma Rao’s dialogues & Arudra’s story made the story go without losing its grip.Though Thapi Dharma Rao was shown as the dialogue writer in the titles of the film, it is said that part of them were written by Arudra also.That is why there was a joke about the review of this cinema in those days ;that was…..”In the film “Bhishma” some dialogues go very “Thapi”(slow-rather leisurely true to the meaning of the name Thapi Dhrma Rao) while some very ‘Adurdaga”(fast-rather inquisitely true to the meaning of the poet “Arudra” ) Veteran actors/actresses helped the film a lot by their actions. Galaxy of cine artiste like Gummadi, Relangi, Nagabhushanam, Prabhakar Reddy,Shobhan Babu, Anjali Devi, Kantha Rao etc gave wholeness to the film. The role of Krishna was played by Harinath. Amidst these famous artiste, with his clear diction/pronunciation & sharp expression of feelings Dhulipala scored good marks by leaving his own mark in the role of Duryodhana in his this very first film.NTR showed his cosmic form in terms of his unparallel action in the film as one of the eight baned “Ashtavasuvulu”,as young Gaangeya performing the marriage of Vichithraveerya”,as the middle aged Bhishma overseeing the kingly rule, as one who brought up Dhritharaashtra & Panduraja AND their offspring Kauravas & Pandavas,at last as the octogenarian great Kuru warrior who lied down defeated in the hands of his grandson- Arjuna after fighting heroically from the side of Kauravas for a simple sin of having eaten their salt.His action in the secenes of his taking the wild oath (Bhishma Prathigya),war field-especially during the song “Kuppinchi Yegasina Kundalambula Kanthi Gagana Bhaagambella Gappigonaka” is simply unforgettable.The mental agony/affliction & the friction Bhishma underwent as one who was responsible for the spread of the empire & as one before whose own eyes itself the Kuru dynasty dreamt very high got split & ruined/wrecked/destroyed, was commendably expressed by NTR in his actions & feelings.
రిప్లయితొలగించండిAnother boon for the picture was S.Rajeshwar Rao’s music.Songs like “JoJoJo la”…Hailo Hailessa”…”Mansuloni Korika” etc still find place in the hearts of the audience not to speak of the poems like Naa Janmambu Tharimpa Jeseda Prathigyan Dikpathul Sakshigaa”,.. “Kuppinchiyegasina”.. etc.Similarly,the music suiting to the sequences all through gave additional strength to the screen play. Though dating back half a decade, that pearl still shines even with all the dust of efflux of time wrapped around.
తేటగీతి పద్యం:-
రిప్లయితొలగించండిదేవదేవ! జీవాత్మకా! దేవవంద్య!
శంఖచక్రగదాపద్మచారుహస్త!
వాసుదేవా! త్రివిక్రమా! వరద! పరమ-
పురుష! ప్రణుతి యొనర్చెద! కరుణ గనుమ!